December 1, 2009
Call for Submissions - Singapore International Photography Festival
Hurry! Closes December 7, 2009! Call for Entries - Crisis and Opportunity: Documenting The Global Recession
- A $1,500 cash prize.
- Exhibition of their work in a group show with other winners at powerHouse Arena in Brooklyn, NY, from February 15 to March14, 2010. SDN to pay for all reproduction, and hanging fees.
- Invitation to participate on a panel discussion at the opening night reception at powerHouse Arena on February 16, 2010. (photographer will need to cover their travel expenses).
- Exhibit featured in exhibition catalog printed by Meridian Printing, the leading printer of photography books in North America.
- A featured exhibit on the SDN home page for two weeks and features in email spotlights.
- A LowePro Vertex 300 AW backpack.
- Exhibition of some of their winning work at powerHouse Arena in Brooklyn, NY in a group show from February 15-March 14, 2010. SDN to pay for all reproduction, and hanging fees.
- Exhibit included in exhibition catalog.
- Winning work featured on the website of SocialDocumentary.net and in email spotlights.
- A LowePro Fastpack 350 backpack.
This award is based on total number of viewers to a competition entry. Photographers can promote their sites through their own websites, their Facebook page, Twitter, and other sources so that their total number of viewers is increased.
- First Place: People's Choice Award. Adobe Photoshop Extended, for Mac or Windows
- Second Place: People's Choice Award: Adobe Lightroom 2, for Mac or Windows
Lori Grinker began her photographic career in 1981 while a student at Parsons School of Design when Inside Sports published her photo-essay about a young boxer as its cover story. During that time she met another young boxer, 13 year-old Mike Tyson, who she documented for the following decade. Since then, in addition to her reportage of events such as the destruction of the World Trade Center, she has delved into several long-term projects, and published two books: The Invisible Thread: A Portrait of Jewish American Women (Jewish Publication Society, 1989, 6 editions), and Afterwar: Veterans from a World in Conflict (de.MO, 2004).
www.lorigrinker.com
Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times.
Lucian Perkins, a two-time Pulitzer Prize winner, graduated from the University of Texas at Austin with a degree in biology. He later studied photography with Garry Winogrand. In 1997, he received an internship at the Washington Post, where he worked as a staff photographer for 27 years. He received the “Newspaper Photographer of the Year” by the National Press Photographers Association in 1994 for a portfolio that includes projects in Russia and a behind-the-scenes look at the New York fashion shows. In 1995, with Post reporter Leon Dash, he won a Pulitzer Prize for their four-year study on the effects of poverty on three generations of a Washington, DC family through the eyes of their family’s matriarch Rosa Lee Cunningham.
www.lucianperkins.com
Shahidul Alam was born in 1955 in Dhaka, Bangladesh. He studied and taught chemistry in London where he obtained a PhD from the University of London.
He is on the advisory board for the W. Eugene Smith Memorial Fund and the National Geographic Society. He is visiting professor of Sunderland University in the UK and Regent's Lecturer at UCLA in the US. Alam is the founder and chairman of Majority World, a global community interest initiative formed to provide a platform for indigenous photographers, photographic agencies, and image collections from the majority world to gain access to global image markets.
http://shahidul.wordpress.com/
Photo Editor, The New Yorker Magazine
Tax liability in connection with any Prize is the responsibility of the winners.
Important Dates
- Entries accepted on SDN website: September 15, 2009
- Entries deadline: December 7, 2009
- Judging: December 10-13, 2009
- Winners Announced: December 16, 2009
- Opening reception & panel discussion: Tuesday, February 16, 2010
- New York Exhibition: powerHouse Arena, February 15-March 14, 2010
- Chicago Exhibition: Gage Gallery at Roosevelt University, September - December, 2010. These dates may be subject to change.
Use Rights
November 30, 2009
C/O Berlin Talents Competition 2010: Me, Myself and the Others
Through the energies and commitment of its three founders - photographer Stephan Erfurt, designer Marc Naroska, and architect Ingo Pott - a singular institution in Germany has been created, presenting a cultural program of international stature and quality.
In 2000 square meters of exhibition space at the former Postfuhramt (Old Post Office), C/O Berlin exhibits the work of international photographers including Martin Parr, Annie Leibovitz, Rene Burri, James Nachtwey, Anton Corbijn, and Karl Lagerfeld, whose exclusively planned solo shows have affirmed C/O Berlin's conceptional competence and high standards.
A program of guided tours, lectures, and artist talks provides more in-depth insights into different aspects of each exhibition's subject matter and perspectives.
Talents Competition 2010: Me, Myself and the Others
Who can apply?
Photographers and art critics up to the age of 35.
Topic of Talents 2010
The annual topic for 2010 is “Me, Myself and the Others.” Only samples of work dealing with this topic will be considered by the jury.
How do I apply?
As a photographer
1. Fill out the online form
2. Transfer the entry fee of €20 to the following account:
Bank: Berliner Volksbank
Recipient: C/O's e.V.
Account number: 7214040004
Bank code: 100 900 00
------------------------------
IBAN: DE 32 1009 0000 7214 040004
BIC: BEVODEBB
All bank transfer and commission costs must be borne by the payer.
3. Send a maximum of 15 samples of work in printed form (no larger than A4, please no originals!) as well as a project description (no more than one A4 page) to the following address:
C/O Berlin
Re.: “Talents 2010”
Auguststraße 5a
10117 Berlin
Germany
Materials can only be returned if a self-addressed stamped envelope is included with the submission. Submissions for which no entry fee has been received by December 31, 2009, unfortunately cannot be taken into consideration.
As an art critic
Art critics should submit several writing samples on topics in the areas of art history, photography, design, or architecture, as well as a resume to the address above. There is no entry fee.
Application deadline?
The deadline for photographers is December 31, 2009 (data of postmark). Art critics are welcome to apply at all times.
Who decides on the winners?
In the spring of each year, a jury of experts selects four of the submitted portfolios for the following year. The jury’s decision is final. There is no appeal procedure.
November 29, 2009
Ryerson Gallery Holiday Show and Sale in Toronto
Ryerson Gallery Holiday Show and Sale
Silent Auction, Preview and Bidding
November 21 to December 10
Bids close at 5 PM, Thursday, December 10
Gala Reception, Draw and Awards
Thursday, December 3, 6 - 10 PM
Announcing the 2009 Give Us Your Best Shot Winner
Selected by Bonnie Rubenstein, Artistic Director
CONTACT Toronto Photography Festival
Book Launch: Emergence
Celebrating thirty years of emerging artists!
Co-published by Gallery 44 and Ryerson University
Winning bids: payment and pick-up of works
December 11 and 12, noon to 5 PM at Ryerson Gallery
Ryerson Gallery thanks all its sponsors:
Adina Photo and Custom Frames I Canadian Art Magazine I ColourGenics I Downtown Camera I Dufflets I Elpro I Gallery 44 I Gallery TPW I PFACS - Ryerson University I Pikto I Prefix Photo I Scaramouche / Morden Yolles I School of Image Arts I Steam Whistle I Stephen Bulger Gallery I Studio of Edward Burtynsky I Toronto Black and White I Toronto Image Works
Gallery Hours: Wednesday - Saturday, 12 - 5 PM
80 Spadina Ave., Suite 305, Toronto ON M5V 2J4
www.ryersongallery.ca
The Malcolmson Collection at Presentation House Gallery in North Vancouver
The Malcolmson Collection
Until December 20, 2009
On exhibit at Presentation House Gallery is a selection of photographs from one of Canada's most unique and significant art collections, shown for the first time in a public gallery. Over the past twenty-five years Ann and Harry Malcolmson, who live in Toronto, have assembled a rare collection of vintage photographs that span the history of the medium. After a long period of collecting contemporary art, they were gradually drawn to early twentieth-century experimental photography, and then began to investigate nineteenth-century material before expanding into classic modernist and contemporary works. This exhibition selected from over two-hundred photographs offers a rare opportunity to witness the scope and depth of this remarkable collection, that reveals the scholarship, intuitions and passions of the collectors.
The exhibition features iconic as well as anonymous images that underscore the Malcolmson’s interest in experimental approaches to the medium, from Fox Talbot to Robert Frank. The beginnings of photography is represented by salted paper prints from paper negatives of the mid-1840s and twenty-first century photography, by several of Vancouver’s most notable contemporary artists. This range of images draws links between the earliest innovations in the medium to those of today; for instance, Gustave Le Gray’s 1850s seascape produced from two negatives precedes the collage techniques of modernist photography that continue in digital practices. While alluding to historical developments and stylistic periods, the exhibition knits together images from diverse contexts, genres and time frames. The significance of photography as both an artistic practice and mode of perception is considered in relation to its profound impact on visual culture and social history. Many of the nineteenth-century images resulted from commissions for empirical records of significant events and social conditions evident in the pictures of archeological and urban sites. In the twentieth century, more fragmented and prosaic views of the world dominate.
Photography as an act of drawing with light is made palpable throughout the exhibition, from the long exposures that fail to still the breath of a subject, to photograms that record movements of light on paper, to a film montage of moving reflections. Human figures often appear veiled and immaterial, as if apparitions. The surrealist impulse to conflate mind and body and to evoke psychic space is expressed in the bodily distortions of the many phantasmagoric figurative works. A grouping of portraits evolves from stiff formal portraiture of sitters posing in conscious self-portrayal to an increasing focus on isolated gestures and fleeting moments of someone caught offguard. While associated with naturalism, the artificial spatial effect of photographic optics evident in the condensed spaces and surface details of the nineteenth-century landscapes becomes more pronounced in the skewed and montaged perspectives called for by the chaotic energies and visual dynamics of modern cities. Abstraction and visuality itself as subject matter are prevalent threads in the exhibition.
The exhibition reveals how developments in camera and print technologies impacted “the new vision.” The unique character of each vintage print emphasizes the very materiality of photographs—their physical surfaces, the patinas of aging and accidents of chemicals interacting with paper. These visual effects emphasize the mysterious, elusive qualities of photographic images as traces of a moment in time and the strong poetic and elegiac mood in The Malcolmson Collection. A vitrine of publication materials offers clues to the importance of the book form, especially albums and portfolios, to the history of the medium.
Presentation House Gallery
333 Chesterfield Avenue North Vancouver BC V7M 3G9
www.presentationhousegall.com
Gallery 44 Celebrates Its 30th Anniversary with the Book Launch of "Emergence: Contemporary Canadian Photography", Party, and Exhibition
Gallery 44’s 30th Anniversary Events on December 3, 2009 from 6 -10pm:
Cake Cutting at 7:30pm I Raise a glass to the first 30 years with DJ Siquemu!
Wall to Wall | 3oth Anniversary Edition Exhibition and Sale of Photographs Dating From 1979 to 2009 by Gallery 44 Members and Friends
On Until December 19
A NEW PUBLICATION FROM GALLERY 44 ON CANADIAN CONTEMPORARY PHOTOGRAPHY
Emergence: Contemporary Canadian Photography
Co-published by Gallery 44 and Ryerson University
124 Pages | 5 Essays | Works by 30 Artists | 84 colour reproductions | $23.95
What emerges in the development of an image, in looking at a work of art, in the expansion of an artist’s career or practice?
To mark its 30 years of commitment to the advancement of photographic art in Canada Gallery 44 has produced a book of Canadian contemporary photography on the subject of emergence. The book is comprised of original essays by esteemed Canadian writers, curators and artists. Each writer was invited to explore the concept of emergence with reference to the work of artists who have exhibited at Gallery 44. These artists were in turn asked to choose the work of an emerging Canadian photographic artist to be published along side their own work in the book. This book is a major contribution to the discourse on contemporary photography, showing a broad-spectrum of photo-based work contextualized by engaging and informative texts. Emergence will appeal to artists, educators, students, curators, critics and any serious devotee to contemporary art.
Editor Sarah Parsons, in her introduction, speaks of “the important conceptual connection between photography, visibility and emergence”, as well as photography’s “more literal and technical relationship to emergence” this is a connection which each writer explores from a unique perspective in relation to select photographic artists.
Cover Image: Michael Taglieri, t for Thomson, from Wearing a raincoat in case it begins to rain, 2007
Gallery 44 Centre for Contemporary Photography
http://www.gallery44.org
Prefix Photo: Call for Submissions from Photographers and Writers
Call for Submissions from Photographers
Prefix Photo encourages submissions of new or previously unpublished photography for editorial consideration. Submissions should include visual support material in the form of digital files, 35mm slides, transparencies, work prints, laser prints, etc.; a written description of the work, if available; and a curriculum vitae of the artist. The number of images submitted remains at the discretion of the artist, with a recommended maximum of 20. Submissions are accepted on an ongoing basis and are reviewed twice annually: January 15 and July 15. Please send submissions to:
Tamara Toledo
Prefix Photo
124 - 401 Richmond Street West
Toronto, Ontario
M5V 3A8
Mailed support materials will not be returned unless accompanied by a self-addressed envelope with return postage or equivalent. Prefix Photo also accepts submissions by email to tamara@prefix.ca. Please follow the digital submission requirements below.
Proposals from young and emerging artists and from artists from all cultural and regional communities of Canada are particularly encouraged.
Digital Submission Requirements
72 dpi resolution I Maximum size of 1024 x 768 pixels I Files should be no larger than 500K I RGB format I Name each image file with your name, surname, the number and the title I Please send only up to 20 images
Call for Submissions from Writers
Prefix Photo encourages submissions of writer's outlines for new critical essays of 3000-4000 words in length, but does not consider completed manuscripts for publication. Outlines should be no more than 250 words in length, and may be supported by one or two previously published texts. Outlines are accepted at any time, but should be submitted at least six months in advance of a projected publication date. If accepted for publication, the deadline for the submission of the completed essay is approximately three months in advance of an issue's release. Prior to publication, writers will be consulted regarding editorial revisions and writer's fee. Please note that, in addition to critical essays, Prefix Photo also reviews proposals for literary features of 600-800 words. Submission materials will not be returned unless accompanied by a self-addressed envelope with return postage or equivalent.
For more information on the submissions process, please contact Tamara Toledo, Production Manager, T: 416-591-0357, E: tamara@prefix.ca.
Available Now - Prefix Photo 20: Archival Legacies
Prefix Photo 20: Archival Legacies
Prefix Institute of Contemporary Art is pleased to announce the release of the twentieth issue of Prefix Photo magazine. As the magazine embarks on its tenth-anniversary year, editor Scott McLeod addresses the theme of “archival legacies,” as follows: “This issue directs our gaze toward the vast array of physical materials that are archived in order to preserve our multiple histories. The archive – and the uses to which the archive can be put – facilitate the envisioning and elaboration of these sometimes competing, sometimes complementary histories. In this way, history is not left to languish in the past, but becomes available to be recuperated and animated not only in, but as the present.”
These thoughts resonate strongly with the works of the artists and writers represented within the magazine, as follows:
Monika Kin Gagnon expands on the notion of “posthumous collaboration,” considering books and archives as material traces and triggers of memory, in an essay that is part homage, part letter to Gagnon’s late friend, poet and curator Nancy Shaw.
Jacob Korczynski presents a reading of the Pride Records series by Houston–based artist Jamal Cyrus. Korczynski interprets the series through the lens of the “cut,” as Cyrus slices through historical images via collage and through official histories via the rupture of fiction.
Jordan Troeller writes on the object-based photography of New York–based artist Zoe Leonard, responding to current discussions on digitalization and photography. She argues that far too much weight has been given to describing technology and far too little to examining its social and political effects.
Sudhatri Murthy, in her literary feature “Simple Time,” reflects upon a snapshot that mediates her unique experience – intimately connected and yet outside – of mothering twin boys.
Other contributors include Barbara Balfour, Rose Bouthillier, Neil Cummings and Marysia Lewandowska, Kyla Mallett, Stephen G. Rhodes, Gabor Szilasi, and more.
While quantities last.
Subscribe to Prefix Photo now and receive a free designer tote bag exclusive to Prefix Photo subscribers. Offer expires January 31, 2010
Prefix Photo is published by Prefix Institute of Contemporary Art, a registered charitable organization that fosters the appreciation and understanding of contemporary photography, media and digital arts. Prefix Photo is available by subscription and in fine bookstores and newsstands in Canada, the United States, the United Kingdom, Portugal, Spain, Greece, Turkey, Singapore and China.
For their assistance with the release party held for issue 20 in Toronto, Prefix Institute of Contemporary Art gratefully acknowledges its Supporting Sponsor Steam Whistle Brewing and its Official Catering Sponsor à la Carte Kitchen.
Prefix Photo is published with the assistance of its staff, volunteers and patrons, as well as the Ontario Arts Council and the Canada Council for the Arts. Prefix Photo also acknowledges the financial support of the Government of Canada through the Canada Magazine Fund toward its editorial and production costs. The Ontario Arts Council is an agency of the Government of Ontario.
www.prefix.ca
Call for Entries - 3rd Annual International Juried Plastic Camera Show
3rd Annual International Juried Plastic Camera Show
Deadline for submissions - January 5, 2010
Located in San Francisco, RayKo Photo Centers competition is open to artists working with plastic cameras with plastic lenses. The more obsolete, flawed, and lo-tech, the better. Images should be taken with cameras with limited controls, such as Diana, Holga, Lubitel, Lomo, Banner, and Ansco. Beautiful prints from less-than-gorgeous cameras – that’s what we’re looking for!
"Best of Show" receives a $250 cash prize. There are also four additional juror awards: honorable mentions receive plastic cameras of your choosing.
Submission guidelines
Complete submission form I A non-refundable entry fee of $25 I Check or money order payable to RayKo Photo Center I Limit of 5 images per person I CD entries must be jpegs I Save files with artist’s last name and title of image I Contact information should be on the CD and CD case I Please note that any work deemed misrepresented by its CD will be declined I SASE or adequate postage for notification and return of CD, if desired I Late submissions or substitute images will not be hung
RayKo Photo Center
c/o Plastic Camera Show
428 Third Street
San Francisco, CA 94107
Submission of Accepted Work
The work must be framed or mounted with a wire affixed and ready to hang. No saw tooth hangers, please. Entries will be handled with the greatest care, however, RayKo assumes no liability for work on its premises. All works selected for exhibition must be for sale. RayKo will retain 40% commission on all work sold, so please price your work accordingly. Please note that images selected for the show may be used for promotion of the exhibition.
Eligibility
All work must be original and completed within the past five years. Works previously shown at RayKo are not eligible.
January 5, 2010 - Deadline for submissions
January 13 - Notification of juried results
February 20 - Deadline for shipped works
February 26 6-8pm - Opening reception
February 26 – April 17 - Exhibition on view
May 2 - Unsold works shipped by RayKo Photo Center
To download the submission form please visit
http://raykophoto.com/wp-content/uploads/2009/10/3rd-annual-plastic-camera-call-4-entries.pdf
November 28, 2009
Call for Entries - Worldwide Pinhole Photography Day & 3rd Annual Juried Pinhole Show
Worldwide Pinhole Photography Day & 3rd Annual Juried Pinhole Show
Deadline for submissions: March 7, 2010
“Best in Show” will receive a cash prize of $250 and there are also four additional juror awards
Located in San Francisco, RayKo Photo Center will be hosting an exhibition of pinhole photography in their main gallery. This is an open call for photographic work taken with a pinhole camera. Artists selected for exhibition will be encouraged to participate in the artist’s reception and Worldwide Pinhole Photography Day on April 25th between 12-5pm. RayKo will be offering free image uploads onto the WPPD website, supplies for making pinhole images, and displays of pinhole cameras.
Submission Guidelines
Images must be made with a pinhole camera I There is a non-refundable entry fee of $25 I Check or money order should be made out to RayKo Photo Center I No Cash or Credit Cards I Limit of 5 images per person I CD entries must be jpegs I Save files with artist’s last name and title of image I Make sure contact information is on the CD and CD case and individual slides I Please note that any work deemed misrepresented by its CD or slide will be declined I Completed submission form I SASE or adequate postage for notification and return of CD or slides, if desired I Late submissions or substitute images will not be hung
RayKo Photo Center
c/o Pinhole Photography Show
428 Third Street
San Francisco, CA 94107
Submission of Accepted Work
The work must be framed or mounted with a wire affixed and ready to hang. NO saw tooth hangers, please. Entries will be handled with the greatest care, however, RayKo assumes no liability for work on its premises. All works selected for exhibition must be for sale. RayKo will retain 40% commission on all work sold, so please price your work accordingly. Please note that images selected for the show may be used for promotion of the exhibition.
March 7, 2010 - Deadline for submissions
March 13 - Notification of juried results
April 19 - Delivery of accepted work
April 25, 12-5pm - Opening reception
April 25 – May 31 - Exhibition on view
June 1 - June 3 - Pick up of hand-delivered work
June 20 - Unsold works shipped by RayKo Photo Center
To download the submission form please visit
http://raykophoto.com/wp-content/uploads/2009/10/pinhole-call-for-entries.pdf

