December 1, 2009

Call for Submissions - Singapore International Photography Festival


In 2008, Singapore International Photography Festival attracted a whopping 6,600 public submissions of photographic work from photographers around the world. 12% of the total submissions were the most outstanding prints, which were shortlisted and exhibited across Singapore. The submissions were not restricted to any fixed subject or theme but selected works were grouped according to various themes by the Festival’s four curators.
Now, the 2nd SIPF 2010 commences with two categories for open call. The open-ended theme category continues with the purpose of unearthing new works and talents. This year’s festival incorporates a brand new themed category titled, ‘HUMAN: NATURE’ to address universal concerns faced by the world. The duality in the theme can be freely interpreted either as ‘Human Nature’ or ‘Human & Nature’. The ‘colon’ represents a relationship and a balanced ratio between Human and Nature. Thematically, this category is an ambitious call for creative interpretation on HUMAN: NATURE.
SIPF 2010 prides itself to be the platform for Southeast Asian photographers to showcase their photography works alongside their international counterparts. For the first time, a solo exhibition will be dedicated to a prominent Southeast Asian (SEA) photographer and audience can expect a showcase highlight of a prominent SEA photographer each biennale.
SIPF programmes and exhibitions will stretch over 30 days from 10th Oct 2010 onwards. Besides the crucial SEA Emerging Artist series for professionals, SIPF continues to broaden the public appreciation for photography with free public talks, seminar, forum and more.
Please be reminded that the deadline for open call submission is 31 March 2010.

Hurry! Closes December 7, 2009! Call for Entries - Crisis and Opportunity: Documenting The Global Recession















Deadline for entries: December 7, 2009
In the spirit of the Works Progress Administration (WPA) of the New Deal in the 1930s, when photographers documented the hardship and proposed solutions, SocialDocumentary.net (SDN) is issuing a Call for Entries. We are looking for photo essays that provide insight into how ordinary citizens around the world are coping during these new “hard times” and how individuals, companies, industries, family businesses, communities, and governments are responding to the crisis.
We encourage a broad definition of the global recession. Suggested stories include those of people losing their jobs, homes, and health benefits; or the effects on vulnerable communities in conflict zones, global climate change; or how the UN’s millennium goals in economic development and health improvement have been stalled by lack of resources. We are also interested in how people and governments are working to overcome these challenges in creative ways such as agricultural development; wind, solar and other alternative energies; public health programs to stop the spread of disease; or technological innovations to reduce greenhouse gases and dependence on oil. These are just examples. We welcome new stories and approaches to documenting this important topic. If photographers are not sure if their stories fit into our definition of the global recession, they are encouraged to inquire at info@socialdocumentary.net.
First Place: One photographer will be awarded:
  • A $1,500 cash prize.
  • Exhibition of their work in a group show with other winners at powerHouse Arena in Brooklyn, NY, from February 15 to March14, 2010. SDN to pay for all reproduction, and hanging fees.
  • Invitation to participate on a panel discussion at the opening night reception at powerHouse Arena on February 16, 2010. (photographer will need to cover their travel expenses).
  • Exhibit featured in exhibition catalog printed by Meridian Printing, the leading printer of photography books in North America.
  • A featured exhibit on the SDN home page for two weeks and features in email spotlights.
  • A LowePro Vertex 300 AW backpack.

Honorable Mention: Three photographers will be awarded:
  • Exhibition of some of their winning work at powerHouse Arena in Brooklyn, NY in a group show from February 15-March 14, 2010. SDN to pay for all reproduction, and hanging fees.
  • Exhibit included in exhibition catalog.
  • Winning work featured on the website of SocialDocumentary.net and in email spotlights.
  • A LowePro Fastpack 350 backpack.

First Place and Honorable Mention exhibits will be published in a catalog that will be available for sale at powerHouse books, launched at the opening reception on February 16, 2010. Competition winners will each receive five complimentary copies.
The People's Choice Awards
This award is based on total number of viewers to a competition entry. Photographers can promote their sites through their own websites, their Facebook page, Twitter, and other sources so that their total number of viewers is increased.
  • First Place: People's Choice Award. Adobe Photoshop Extended, for Mac or Windows
  • Second Place: People's Choice Award: Adobe Lightroom 2, for Mac or Windows

$35 for one exhibit entry of 6 – 36 images.
A limited number of partial scholarships are available for residents of developing countries. To apply, photographer must first have or create a free membership with SocialDocumentary.net. Send request to scholarship@socialdocumentary.net with name, email address used for membership, your country of residence and your country of citizenship. All requests for discounts must be submitted by November 15, 2009, and exhibits must be submitted by November 22. Expatriates from developed countries living in a developing country are not eligible for scholarships.
All fees must be paid using a credit card on the SDN website. International credit cards are accepted. All entry submissions and fees are final and non-refundable.
All entries are automatically and simultaneously submitted for exhibition on the SocialDocumentary.net website and must follow all rules and regulations regarding exhibits on SDN. See SDN website for further information on fees. www.socialdocumentary.net
Exhibits on SocialDocumentary.net need to be approved before going live (click here for more information). In the event that an entry to the Call for Entries is not accepted for the SDN website, the photographer may make changes to their exhibit and re-submit, at no additional cost, up until the entry deadline.
Photographers can submit multiple contest entries but individual photographs may only be submitted for one entry.
All entries will be viewable to the public on the SDN site.
All entries must have between 6 and 36 photographs related to a specific story about the global recession, have an abstract to provide context (150 words maximum) and captions to accompany the photographs. Photographer may also submit additional text about the situation being documented, a bio, and information on organizations working with affected communities.
Only the first 9 images, captions, and abstract will be review by judges, but photographer can submit up to 36 images that will be part of their online exhibit.
Photographs must have been taken after January 1, 2008.
All work must be submitted via the SocialDocumentary.net website at http://www.socialdocumentary.net.
All contest entries must be accompanied by full name of the photographer and contact information, including email address and phone number. Minimum of six images is required with abstract and captions.
Winning entries must be able to provide within 7 days of award announcement digital files of at least 3000 pixels in one dimension. Exact specifications on providing digital files for exhibition will be provided at a later date.
All entries and communications from entrants must be in the English language.
SocialDocumentary.net will cover all costs associated with printing and mounting of photographs for the exhibition at powerHouse Arena.
Traveling Exhibition
SocialDocumentary.net is making plans to bring the exhibit to the Gage Gallery at Roosevelt University in Chicago in the fall of 2010 and is negotiating other locations as well.
SDN reserves the right to use alternate judges if necessary. The decision of judges is final. Judges will give equal attention to the photographs and the text. Judges will review up to 9 images for any entry.
Lori Grinker
Lori Grinker began her photographic career in 1981 while a student at Parsons School of Design when Inside Sports published her photo-essay about a young boxer as its cover story. During that time she met another young boxer, 13 year-old Mike Tyson, who she documented for the following decade. Since then, in addition to her reportage of events such as the destruction of the World Trade Center, she has delved into several long-term projects, and published two books: The Invisible Thread: A Portrait of Jewish American Women (Jewish Publication Society, 1989, 6 editions), and Afterwar: Veterans from a World in Conflict (de.MO, 2004).

Published in major magazines, her work has earned international recognition, garnering a World Press Photo Foundation Prize, an Open Society Institute Distribution grant, a W. Eugene Smith Memorial Fund fellowship, the Ernst Hass Grant, The Santa Fe Center for Photography Project Grant, and a Hasselblad Foundation Grant, among others. Her photographs have been exhibited in solo and group exhibitions around the world and are in many private and museum collections including: The International Center of Photography (ICP), The Jewish Museum in New York City, The Museum of Fine Arts, Houston, and The San Francisco Museum of Modern Art.
Between editorial assignments, commercial jobs (represented by MEO Represents), and personal projects, Grinker lectures, teaches workshops, and is on the faculty of the ICP in New York City. She is represented by the Nailya Alexander Gallery in New York and has been a member of Contact Press Images since 1988. Grinker is on the advisory committee of SocialDocumentary.net.
www.lorigrinker.com
Ed Kashi
Ed Kashi is a photojournalist, filmmaker and educator dedicated to documenting the social and political issues that define our times.

Kashi’s images have been published and exhibited worldwide. His innovative approach to photography and filmmaking produced the Iraqi Kurdistan Flipbook. Using stills in a moving image format, this creative and thought-provoking form of visual storytelling has been shown in many film festivals and as part of a series of exhibitions on the Iraq War at The George Eastman House.
An eight-year personal project completed in 2003, Aging in America: The Years Ahead, created a traveling exhibition, an award-winning documentary film, a website and a book which was named one of the best photo books of 2003 by American Photo. Along with numerous awards, including honors from Pictures of the Year International, World Press Foundation, Communication Arts and American Photography, Kashi’s editorial assignments and personal projects have generated four books. In 2008, his latest books will be published, both by powerHouse Books; Curse of the Black Gold: 50 Years of Oil in the Niger Delta and Three.
“Ed Kashi is intelligent, brave and compassionate. He always understands the nuances of his subjects. He fearlessly goes where few would venture. And he sympathetically captures the soul of each situation. Ed is one of the best of a new breed of photojournalistic artists.” David Griffin, Director of Photography, National Geographic
Kashi is on the advisory committee of SocialDocumentary.net.
www.edkashi.com
Lucian Perkins
Lucian Perkins, a two-time Pulitzer Prize winner, graduated from the University of Texas at Austin with a degree in biology. He later studied photography with Garry Winogrand. In 1997, he received an internship at the Washington Post, where he worked as a staff photographer for 27 years. He received the “Newspaper Photographer of the Year” by the National Press Photographers Association in 1994 for a portfolio that includes projects in Russia and a behind-the-scenes look at the New York fashion shows. In 1995, with Post reporter Leon Dash, he won a Pulitzer Prize for their four-year study on the effects of poverty on three generations of a Washington, DC family through the eyes of their family’s matriarch Rosa Lee Cunningham.

In 1996 he was awarded the World Press Photo of the Year for his photograph of a young boy in war-torn Chechnya. In 2000, Perkins won another Pulitzer Prize along with two colleagues at the Post for their coverage of the Kosovo conflict. While at the Post, Perkins covered major international events, including Russia since 1988, the wars in the former Yugoslavia, the Palestinian uprising in the West Bank, and the wars in Iraq and Afghanistan. He has also chronicled local and national events throughout the US. In October 1998, Chronicle Books published his first book, Runway Madness.
www.lucianperkins.com
Shahidul Alam
Shahidul Alam was born in 1955 in Dhaka, Bangladesh. He studied and taught chemistry in London where he obtained a PhD from the University of London.

He started photographing in 1980 and was awarded the Harvey Harris Trophy for being judged the best photographer of the year by the London Arts Council and became the President of the Bangladesh Photographic Society, where he served for three terms.
In 1989, he set up Drik picture library and Pathshala: South Asian Institute of Photography. He is also a director of Chobi Mela, the festival of photography in Asia. He was a jury member of numerous competitions including World Press Photo, where he has been a judge on four occasions and he was the first person of colour to chair the international jury in World Press Photo.
Awarded the Andrea Frank Foundation Award and the Howard Chapnick Award in 1998, he has also been awarded the Honorary Fellowships of the Bangladesh Photographic Society and later, the Royal Photographic Society in 2001, for his contribution to photography.

He is on the advisory board for the W. Eugene Smith Memorial Fund and the National Geographic Society. He is visiting professor of Sunderland University in the UK and Regent's Lecturer at UCLA in the US. Alam is the founder and chairman of Majority World, a global community interest initiative formed to provide a platform for indigenous photographers, photographic agencies, and image collections from the majority world to gain access to global image markets.
http://shahidul.wordpress.com/
Craig Cohen
Craig Cohen is Executive Publisher of powerHouse Books, NY.
www.powerhousebooks.com
Whitney Johnson
Photo Editor, The New Yorker Magazine

Contest is open to all professional and amateur US and international photographers. SDN staff, volunteer, advisory committee members, judges, and their families are not eligible to enter the competition.
Winner Notification
Winners will be contacted by phone and email by December 16, 2009.
Tax liability in connection with any Prize is the responsibility of the winners.

Important Dates
  • Entries accepted on SDN website: September 15, 2009
  • Entries deadline: December 7, 2009
  • Judging: December 10-13, 2009
  • Winners Announced: December 16, 2009
  • Opening reception & panel discussion: Tuesday, February 16, 2010
  • New York Exhibition: powerHouse Arena, February 15-March 14, 2010
  • Chicago Exhibition: Gage Gallery at Roosevelt University, September - December, 2010. These dates may be subject to change.


Use Rights
All entrants and winners retain copyright of their work. By submission for jurying, photographers whose images are chosen grant SDN a royalty-free license to use their images for the purpose of subsequent display on the SDN site or in SDN promotional materials. Entries grant SDN the right to use their name for promotion in any medium including radio, newspapers, publications, television, videotape, and/or distribution over the internet. Samples of the winning work will be released to the press for promotional purposes. Photographers grant use of their images as stated without further contact or compensation from SDN other than the prizes listed above. Photographer’s credit will be provided with all use. Winners grant SDN the right to use the work in a related exhibition gallery book and in a possible traveling exhibition.
Print Sales
Winning photographers must provide a list of work and sale price. For the first exhibition at powerHouse Arena, February 15-March 14, 2009, sales of prints will be split 40% to photographer, 40% to powerHouse, 20% to SDN. Sales are arranged through powerHouse and the work sold will be the exact work on the wall. SDN will pay the photographers. Other sizes can be negotiated with buyer. SDN pays for the printing and mounting of the work for first exhibition. Arrange of sale of work at other exhibit locations to be determined.
Release
Entrant acknowledges that SDN may not be held liable for any loss, damages, or injury associated with this contest. Entrant agrees to indemnify SDN for all costs, damages and attorney fees resulting from any third party claims, including copyright infringement, arising from entrant’s participation.
SDN reserves the right, at its sole discretion, to disqualify any entrant that fails to comply with contest rules and guidelines. This Contest is void where prohibited by law.
SocialDocumentary.net (SDN) uses the power of photography to promote global awareness. SDN members include photographers, NGOs, journalists, editors, and students who create and explore documentary websites investigating critical issues facing the world today. Recent exhibits have explored oil workers in the Niger River Delta, male sex workers in India, Central American immigrant women during their journey north, and Iraqi and Afghan refugees in Greece.
Questions? Email us at info@socialdocumentary.net.

November 30, 2009

C/O Berlin Talents Competition 2010: Me, Myself and the Others

Since its inception in 2000, C/O Berlin International Forum For Visual Dialogues has firmly established itself within the cultural landscape of Berlin-Mitte, near Museum Island and the government district.

Through the energies and commitment of its three founders - photographer Stephan Erfurt, designer Marc Naroska, and architect Ingo Pott - a singular institution in Germany has been created, presenting a cultural program of international stature and quality.

In 2000 square meters of exhibition space at the former Postfuhramt (Old Post Office), C/O Berlin exhibits the work of international photographers including Martin Parr, Annie Leibovitz, Rene Burri, James Nachtwey, Anton Corbijn, and Karl Lagerfeld, whose exclusively planned solo shows have affirmed C/O Berlin's conceptional competence and high standards.

A program of guided tours, lectures, and artist talks provides more in-depth insights into different aspects of each exhibition's subject matter and perspectives.

Talents Competition 2010:  Me, Myself and the Others

Who can apply?
Photographers and art critics up to the age of 35.

Topic of Talents 2010
The annual topic for 2010 is “Me, Myself and the Others.” Only samples of work dealing with this topic will be considered by the jury.

How do I apply?

As a photographer
1. Fill out the online form

2. Transfer the entry fee of €20 to the following account:
Bank: Berliner Volksbank
Recipient: C/O's e.V.
Account number: 7214040004
Bank code: 100 900 00
------------------------------
IBAN: DE 32 1009 0000 7214 040004
BIC: BEVODEBB

All bank transfer and commission costs must be borne by the payer.

3. Send a maximum of 15 samples of work in printed form (no larger than A4, please no originals!) as well as a project description (no more than one A4 page) to the following address:

C/O Berlin
Re.: “Talents 2010”
Auguststraße 5a
10117 Berlin
Germany

Materials can only be returned if a self-addressed stamped envelope is included with the submission. Submissions for which no entry fee has been received by December 31, 2009, unfortunately cannot be taken into consideration.

As an art critic
Art critics should submit several writing samples on topics in the areas of art history, photography, design, or architecture, as well as a resume to the address above. There is no entry fee.

Application deadline?
The deadline for photographers is December 31, 2009 (data of postmark). Art critics are welcome to apply at all times.

Who decides on the winners?
In the spring of each year, a jury of experts selects four of the submitted portfolios for the following year. The jury’s decision is final. There is no appeal procedure.

November 29, 2009

Ryerson Gallery Holiday Show and Sale in Toronto

Ryerson Gallery Holiday Show and Sale

Silent Auction, Preview and Bidding
November 21 to December 10

Bids close at 5 PM, Thursday, December 10

Gala Reception, Draw and Awards
Thursday, December 3, 6 - 10 PM

Announcing the 2009 Give Us Your Best Shot Winner
Selected by Bonnie Rubenstein, Artistic Director

CONTACT Toronto Photography Festival

Book Launch: Emergence
Celebrating thirty years of emerging artists!

Co-published by Gallery 44 and Ryerson University

Winning bids: payment and pick-up of works
December 11 and 12, noon to 5 PM at Ryerson Gallery

Ryerson Gallery thanks all its sponsors:

Adina Photo and Custom Frames I Canadian Art Magazine I ColourGenics I Downtown Camera I Dufflets I Elpro I Gallery 44 I Gallery TPW I PFACS - Ryerson University I Pikto I Prefix Photo I Scaramouche / Morden Yolles I School of Image Arts I Steam Whistle I Stephen Bulger Gallery I Studio of Edward Burtynsky I Toronto Black and White I Toronto Image Works

Gallery Hours: Wednesday - Saturday, 12 - 5 PM

80 Spadina Ave., Suite 305, Toronto ON M5V 2J4

www.ryersongallery.ca

The Malcolmson Collection at Presentation House Gallery in North Vancouver

The Malcolmson Collection
Until December 20, 2009

On exhibit at Presentation House Gallery is a selection of photographs from one of Canada's most unique and significant art collections, shown for the first time in a public gallery. Over the past twenty-five years Ann and Harry Malcolmson, who live in Toronto, have assembled a rare collection of vintage photographs that span the history of the medium. After a long period of collecting contemporary art, they were gradually drawn to early twentieth-century experimental photography, and then began to investigate nineteenth-century material before expanding into classic modernist and contemporary works. This exhibition selected from over two-hundred photographs offers a rare opportunity to witness the scope and depth of this remarkable collection, that reveals the scholarship, intuitions and passions of the collectors.

The exhibition features iconic as well as anonymous images that underscore the Malcolmson’s interest in experimental approaches to the medium, from Fox Talbot to Robert Frank. The beginnings of photography is represented by salted paper prints from paper negatives of the mid-1840s and twenty-first century photography, by several of Vancouver’s most notable contemporary artists. This range of images draws links between the earliest innovations in the medium to those of today; for instance, Gustave Le Gray’s 1850s seascape produced from two negatives precedes the collage techniques of modernist photography that continue in digital practices. While alluding to historical developments and stylistic periods, the exhibition knits together images from diverse contexts, genres and time frames. The significance of photography as both an artistic practice and mode of perception is considered in relation to its profound impact on visual culture and social history. Many of the nineteenth-century images resulted from commissions for empirical records of significant events and social conditions evident in the pictures of archeological and urban sites. In the twentieth century, more fragmented and prosaic views of the world dominate.

Photography as an act of drawing with light is made palpable throughout the exhibition, from the long exposures that fail to still the breath of a subject, to photograms that record movements of light on paper, to a film montage of moving reflections. Human figures often appear veiled and immaterial, as if apparitions. The surrealist impulse to conflate mind and body and to evoke psychic space is expressed in the bodily distortions of the many phantasmagoric figurative works. A grouping of portraits evolves from stiff formal portraiture of sitters posing in conscious self-portrayal to an increasing focus on isolated gestures and fleeting moments of someone caught offguard. While associated with naturalism, the artificial spatial effect of photographic optics evident in the condensed spaces and surface details of the nineteenth-century landscapes becomes more pronounced in the skewed and montaged perspectives called for by the chaotic energies and visual dynamics of modern cities. Abstraction and visuality itself as subject matter are prevalent threads in the exhibition.

The exhibition reveals how developments in camera and print technologies impacted “the new vision.” The unique character of each vintage print emphasizes the very materiality of photographs—their physical surfaces, the patinas of aging and accidents of chemicals interacting with paper. These visual effects emphasize the mysterious, elusive qualities of photographic images as traces of a moment in time and the strong poetic and elegiac mood in The Malcolmson Collection. A vitrine of publication materials offers clues to the importance of the book form, especially albums and portfolios, to the history of the medium.

Presentation House Gallery
333 Chesterfield Avenue North Vancouver BC V7M 3G9

www.presentationhousegall.com

Gallery 44 Celebrates Its 30th Anniversary with the Book Launch of "Emergence: Contemporary Canadian Photography", Party, and Exhibition

Gallery 44’s 30th Anniversary Events on December 3, 2009 from 6 -10pm:

Cake Cutting at 7:30pm I Raise a glass to the first 30 years with DJ Siquemu!
Wall to Wall | 3oth Anniversary Edition Exhibition and Sale of Photographs Dating From 1979 to 2009 by Gallery 44 Members and Friends

On Until December 19

A NEW PUBLICATION FROM GALLERY 44 ON CANADIAN CONTEMPORARY PHOTOGRAPHY

Emergence: Contemporary Canadian Photography
Co-published by Gallery 44 and Ryerson University

124 Pages | 5 Essays | Works by 30 Artists | 84 colour reproductions | $23.95

What emerges in the development of an image, in looking at a work of art, in the expansion of an artist’s career or practice?

To mark its 30 years of commitment to the advancement of photographic art in Canada Gallery 44 has produced a book of Canadian contemporary photography on the subject of emergence. The book is comprised of original essays by esteemed Canadian writers, curators and artists. Each writer was invited to explore the concept of emergence with reference to the work of artists who have exhibited at Gallery 44. These artists were in turn asked to choose the work of an emerging Canadian photographic artist to be published along side their own work in the book. This book is a major contribution to the discourse on contemporary photography, showing a broad-spectrum of photo-based work contextualized by engaging and informative texts. Emergence will appeal to artists, educators, students, curators, critics and any serious devotee to contemporary art.

Editor Sarah Parsons, in her introduction, speaks of “the important conceptual connection between photography, visibility and emergence”, as well as photography’s “more literal and technical relationship to emergence” this is a connection which each writer explores from a unique perspective in relation to select photographic artists.

Cover Image: Michael Taglieri, t for Thomson, from Wearing a raincoat in case it begins to rain, 2007

Gallery 44 Centre for Contemporary Photography

http://www.gallery44.org

Prefix Photo: Call for Submissions from Photographers and Writers

Call for Submissions from Photographers
Prefix Photo encourages submissions of new or previously unpublished photography for editorial consideration. Submissions should include visual support material in the form of digital files, 35mm slides, transparencies, work prints, laser prints, etc.; a written description of the work, if available; and a curriculum vitae of the artist. The number of images submitted remains at the discretion of the artist, with a recommended maximum of 20. Submissions are accepted on an ongoing basis and are reviewed twice annually: January 15 and July 15. Please send submissions to:

Tamara Toledo
Prefix Photo

124 - 401 Richmond Street West

Toronto, Ontario

M5V 3A8

Mailed support materials will not be returned unless accompanied by a self-addressed envelope with return postage or equivalent. Prefix Photo also accepts submissions by email to tamara@prefix.ca. Please follow the digital submission requirements below.

Proposals from young and emerging artists and from artists from all cultural and regional communities of Canada are particularly encouraged.

Digital Submission Requirements

72 dpi resolution I Maximum size of 1024 x 768 pixels I Files should be no larger than 500K I RGB format I Name each image file with your name, surname, the number and the title I Please send only up to 20 images

Call for Submissions from Writers
Prefix Photo encourages submissions of writer's outlines for new critical essays of 3000-4000 words in length, but does not consider completed manuscripts for publication. Outlines should be no more than 250 words in length, and may be supported by one or two previously published texts. Outlines are accepted at any time, but should be submitted at least six months in advance of a projected publication date. If accepted for publication, the deadline for the submission of the completed essay is approximately three months in advance of an issue's release. Prior to publication, writers will be consulted regarding editorial revisions and writer's fee. Please note that, in addition to critical essays, Prefix Photo also reviews proposals for literary features of 600-800 words. Submission materials will not be returned unless accompanied by a self-addressed envelope with return postage or equivalent.

For more information on the submissions process, please contact Tamara Toledo, Production Manager, T: 416-591-0357, E: tamara@prefix.ca.

Available Now - Prefix Photo 20: Archival Legacies

Prefix Photo 20: Archival Legacies

Prefix Institute of Contemporary Art is pleased to announce the release of the twentieth issue of Prefix Photo magazine. As the magazine embarks on its tenth-anniversary year, editor Scott McLeod addresses the theme of “archival legacies,” as follows: “This issue directs our gaze toward the vast array of physical materials that are archived in order to preserve our multiple histories. The archive – and the uses to which the archive can be put – facilitate the envisioning and elaboration of these sometimes competing, sometimes complementary histories. In this way, history is not left to languish in the past, but becomes available to be recuperated and animated not only in, but as the present.”

These thoughts resonate strongly with the works of the artists and writers represented within the magazine, as follows:

Monika Kin Gagnon expands on the notion of “posthumous collaboration,” considering books and archives as material traces and triggers of memory, in an essay that is part homage, part letter to Gagnon’s late friend, poet and curator Nancy Shaw.

Jacob Korczynski presents a reading of the Pride Records series by Houston–based artist Jamal Cyrus. Korczynski interprets the series through the lens of the “cut,” as Cyrus slices through historical images via collage and through official histories via the rupture of fiction.

Jordan Troeller writes on the object-based photography of New York–based artist Zoe Leonard, responding to current discussions on digitalization and photography. She argues that far too much weight has been given to describing technology and far too little to examining its social and political effects.

Sudhatri Murthy, in her literary feature “Simple Time,” reflects upon a snapshot that mediates her unique experience – intimately connected and yet outside – of mothering twin boys.

Other contributors include Barbara Balfour, Rose Bouthillier, Neil Cummings and Marysia Lewandowska, Kyla Mallett, Stephen G. Rhodes, Gabor Szilasi, and more.

While quantities last.

Subscribe to Prefix Photo now and receive a free designer tote bag exclusive to Prefix Photo subscribers. Offer expires January 31, 2010

Prefix Photo is published by Prefix Institute of Contemporary Art, a registered charitable organization that fosters the appreciation and understanding of contemporary photography, media and digital arts. Prefix Photo is available by subscription and in fine bookstores and newsstands in Canada, the United States, the United Kingdom, Portugal, Spain, Greece, Turkey, Singapore and China.

For their assistance with the release party held for issue 20 in Toronto, Prefix Institute of Contemporary Art gratefully acknowledges its Supporting Sponsor Steam Whistle Brewing and its Official Catering Sponsor à la Carte Kitchen.

Prefix Photo is published with the assistance of its staff, volunteers and patrons, as well as the Ontario Arts Council and the Canada Council for the Arts. Prefix Photo also acknowledges the financial support of the Government of Canada through the Canada Magazine Fund toward its editorial and production costs. The Ontario Arts Council is an agency of the Government of Ontario.

www.prefix.ca

Jock Sturges at Stephen Bulger Gallery in Toronto

Call for Entries - 3rd Annual International Juried Plastic Camera Show

3rd Annual International Juried Plastic Camera Show
Deadline for submissions - January 5, 2010

Located in San Francisco, RayKo Photo Centers competition is open to artists working with plastic cameras with plastic lenses. The more obsolete, flawed, and lo-tech, the better. Images should be taken with cameras with limited controls, such as Diana, Holga, Lubitel, Lomo, Banner, and Ansco. Beautiful prints from less-than-gorgeous cameras – that’s what we’re looking for!

"Best of Show" receives a $250 cash prize. There are also four additional juror awards: honorable mentions receive plastic cameras of your choosing.

Submission guidelines
Complete submission form I A non-refundable entry fee of $25 I Check or money order payable to RayKo Photo Center I Limit of 5 images per person I CD entries must be jpegs I Save files with artist’s last name and title of image I Contact information should be on the CD and CD case I Please note that any work deemed misrepresented by its CD will be declined I SASE or adequate postage for notification and return of CD, if desired I Late submissions or substitute images will not be hung

RayKo Photo Center
c/o Plastic Camera Show

428 Third Street

San Francisco, CA 94107

Submission of Accepted Work
The work must be framed or mounted with a wire affixed and ready to hang. No saw tooth hangers, please. Entries will be handled with the greatest care, however, RayKo assumes no liability for work on its premises. All works selected for exhibition must be for sale. RayKo will retain 40% commission on all work sold, so please price your work accordingly. Please note that images selected for the show may be used for promotion of the exhibition.

Eligibility
All work must be original and completed within the past five years. Works previously shown at RayKo are not eligible.

January 5, 2010 - Deadline for submissions
January 13 - Notification of juried results

February 20 - Deadline for shipped works

February 26 6-8pm - Opening reception

February 26 – April 17 - Exhibition on view

May 2 - Unsold works shipped by RayKo Photo Center

To download the submission form please visit
http://raykophoto.com/wp-content/uploads/2009/10/3rd-annual-plastic-camera-call-4-entries.pdf

November 28, 2009

Call for Entries - Worldwide Pinhole Photography Day & 3rd Annual Juried Pinhole Show

Worldwide Pinhole Photography Day & 3rd Annual Juried Pinhole Show
Deadline for submissions: March 7, 2010

“Best in Show” will receive a cash prize of $250 and there are also four additional juror awards

Located in San Francisco, RayKo Photo Center will be hosting an exhibition of pinhole photography in their main gallery. This is an open call for photographic work taken with a pinhole camera. Artists selected for exhibition will be encouraged to participate in the artist’s reception and Worldwide Pinhole Photography Day on April 25th between 12-5pm. RayKo will be offering free image uploads onto the WPPD website, supplies for making pinhole images, and displays of pinhole cameras.

Submission Guidelines
Images must be made with a pinhole camera I There is a non-refundable entry fee of $25 I Check or money order should be made out to RayKo Photo Center I No Cash or Credit Cards I Limit of 5 images per person I CD entries must be jpegs I Save files with artist’s last name and title of image I Make sure contact information is on the CD and CD case and individual slides I Please note that any work deemed misrepresented by its CD or slide will be declined I Completed submission form I SASE or adequate postage for notification and return of CD or slides, if desired I Late submissions or substitute images will not be hung

RayKo Photo Center
c/o Pinhole Photography Show

428 Third Street

San Francisco, CA 94107

Submission of Accepted Work
The work must be framed or mounted with a wire affixed and ready to hang. NO saw tooth hangers, please. Entries will be handled with the greatest care, however, RayKo assumes no liability for work on its premises. All works selected for exhibition must be for sale. RayKo will retain 40% commission on all work sold, so please price your work accordingly. Please note that images selected for the show may be used for promotion of the exhibition.

March 7, 2010 - Deadline for submissions
March 13 - Notification of juried results

April 19 - Delivery of accepted work

April 25, 12-5pm - Opening reception

April 25 – May 31 - Exhibition on view

June 1 - June 3 - Pick up of hand-delivered work

June 20 - Unsold works shipped by RayKo Photo Center

To download the submission form please visit
http://raykophoto.com/wp-content/uploads/2009/10/pinhole-call-for-entries.pdf